Ksitigarbha and Ten Kings Painting of Anyangam Hermitage

안양암 지장시왕도 · 安養庵 地藏十王圖

Cultural Heritage MaterialColonial Period · 1924
Ksitigarbha and Ten Kings Painting of Anyangam Hermitage
KOGL Type 1Korea Heritage Service · khs.go.kr

This work, currently hung behind the Ksitigarbha triad of statues in Myeongbujeon Hall (the hall of the king of the underworld), is a painting centred on the Ksitigarbha triad — Ksitigarbha Bodhisattva wearing a hood, together with Venerable Domyeong and Mudok, the Ghost King — flanked by the Ten Kings of the underworld, judges, messengers, prison guards, the boy attendants of good and evil, and the Four Heavenly Kings. It was made in June 1924 by the monk Gosan. Completed by joining seven panels into a single sheet, it survives entirely intact, and, like the Buddhist painting of Jijangsa Temple, it is notable for being painted in a long horizontal format. The shading technique used on the faces of the attendant figures on either side clearly reveals the painting style of Gosandang Chukyeon.

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Region
Jongno-gu, Seoul
Designation
Cultural Heritage Material · 문화유산자료
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